Picasso included a number of etchings representing the sculptor's studio in a series of 100 prints commissioned by the dealer Vollard and subsequently known as the Vollard Suite, Picasso worked on this series between 1930 and 1937, during which time his marriage finally collapsed. In addition to the sculptor's studio etchings, the Vollard Suite also saw the introduction of a figure that was to feature extensively in Picasso's work during the 1930s - the minotour. This mythological creature, half-bull, half-human, represented for Picasso the co-existence of good and evil, the primitive and the civilized, in humanity, Like Vinent van Gogh and Paul Gauguin, Picasso particularly valued in the tradition of the bullfight, and they all are regular audience of Arles bullfights event. In 1934 PIcasso traveled throughout his native Spain to witness the sport he loved.
In Minotaur with Dead Mare in front of a Cave, 1936, Picasso has represented the minatour emerging from a cave, carrying the body of a dead horse. Here he was clearly making on allusion to the contest to the death that characterizes bullfights. At the same time, however, he has brought together the violence of the struggle with the tenderness with which the victor bears the body of his victim,