Self Portrait, 1901 by Picasso
Picasso was only twenty years old at the time, but he appears considerably older in this portrait. His face is drawn and gaunt from the hardships of the Parisian winter. The livid pallor of the face, relieved only by the orange tint of the lips, the scraggy beard, and the high-collared greatcoat that enshrouds the body, all heighten the feeling of sadness and solitude that emanates from the canvas. The use of cool tones, especially the deep purple of the coat, and the light, almost "anaemic" brushwork overall - except in the face - are completely in keeping with the stark, ascetic image. The fluid contour of the greatcoat, which is treated in broad, vertical areas separated by a black line, recalls the influence of Gauguin. The psychological intensity expressed in the artist's sombre and almost hallucinatory gaze is reminiscent of self-portraits by Van Gogh. The shape of the coat and the layout of the composition were later repeated almost identically in the Celestina portrait.
In this uncompromising vision of himself, Picasso makes no secret of the trials and tribulations that beset the young artist, but he does not fall prey to sentimentality. The Spaniard still has his pride.